I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
UFOs? Really? That’s not normally something I would want to read. But Lepselter embedded herself in a New Mexico community of people who believe they were abducted by aliens and makes it feel, well, real.
Do You think Nothing happened to those people? Lepselter shows how they know you’re skeptical, but they’re also traumatized and need that community of people who get it. Is the Truth out there? Did she become a believer? The ending is a stunner.
The Resonance of Unseen Things offers an ethnographic meditation on the "uncanny" persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late 20th-century American despondency and malaise, especially as understood by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this deeply interdisciplinary book focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and Susan Lepselter shows how multiple troubled histories-of race, class, gender,…
I picked it up because it had Nothing in the title, but I discovered a powerful story about the Cultural Revolution in China and how that traumatic event has been remembered across generations in a diaspora.
I was drawn in by the characters, their quirks, and their tragedies. While the story is about a family of classical musicians, there are so many beautiful Nothings woven in, like the meaning of zero or how the daily experience of encountering propaganda shapes people’s lives even when it means Nothing to them personally. Do not say we have Nothing in common with them today.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
Like a classic wine pairing, read Horwitz and Smith together and savor
the full flavors. White journalist Horwitz visited every former
Confederate state and talked to local people about how memories of the
Confederacy were still alive at the end of the twentieth century.
I
loved his eye for detail and his knack for finding fascinating people to
talk to. His stories are hilarious, outrageous, and compelling all at
once.
NATIONAL BESTSELLER • A Pulitzer Prize-winning war correspondent takes us on an explosive adventure into the soul of the unvanquished South, where Civil War reenactors, battlefield visitors, and fans of history resurrect the ghosts of the Lost Cause through ritual and remembrance.
"The freshest book about divisiveness in America that I have read in some time. This splendid commemoration of the war and its legacy ... is an eyes–open, humorously no–nonsense survey of complicated Americans." —The New York Times Book Review
For all who remain intrigued by the legacy of the Civil War—reenactors, battlefield visitors, Confederate descendants and other Southerners,…
Like a classic wine pairing, read Smith and Horwitz together and savor
the full flavors. Black poet Smith visited Louisiana, New York and
Texas, sites where the memory of slavery is a ghost haunting the
present, whether in a prison or on Wall Street.
I was moved by his
sensitive exploration of the same layered and scarred American terrain
Horwitz traveled. Has Nothing changed?
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
As a historian, I’ve always been less interested in “what happened when” than in how people have chosen to remember it. If Nothing happened, do we care enough to remember it? In fact, yes. If we say Nothing happened, we are remembering that it was boring or not important; if we say Nothing has changed, we may be happy about continuity or unhappy about injustice that persists.
Nothing could be simpler—or more complex. How could the past be Nothing, and how could a history be written about it? It’s going to take some (possibly considerable) mental adjustment before you can see Nothing the way I have come to think of it, with a capital N.
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted group of women who call themselves the Tattooed Ladies. They’re there for Kyra—and for each other.
The maternal Frannie is a tattoo artist struggling with a troubled daughter. Suzy is a self-described fashionista grandma bearing a painful estrangement from her son. Then there’s Jo, whose storybook marriage is shadowed by a grim medical diagnosis. And bookstore owner Marisol. She longs for…
A woman escaping a violent past finds new friendships, romance, and tenuous sanctuary in an emotionally gripping novel by New York Times bestselling author Eileen Goudge.
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a neglected dog she rescued in tow, she lands in the peaceful California town of Gold Creek and is immediately befriended by an openhearted group of women called the Tattooed Ladies Club. They're there for Kyra-and for each other.
The maternal Frannie is a tattoo artist struggling with a troubled daughter. Suzy is a self-described fashionista grandma bearing a…
